Soon enough, Charlie rolled out of Arkansas and tumbled
into Memphis to lay down tracks in the very studio where B.B. King,
Howlin Wolf, Ike Turner, Junior Parker, Roscoe Gordon, Rufus Thomas,
and a whole raft of other great blues and r&b legends were first
recorded. Between 1958 and 1963, Charlies output included a number of
songs that owed a large debt to his bluesy roots. Songs like "Midnite
Blues" and "Finally Found Out," and the particularly soulful "Who
Will the Next Fool Be."
The Groove division of RCA acquired his services for the
next two years, where he turned out the white soul classics "Big Boss
Man," "River Stay Away From My Door," and "Why, Oh Why." A
brief stop at the Smash division of Mercury produced the funky "Mohair
Sam." But like a wandering bluesman, Charlies kept on moving on.
Charlie Rich was an r&b soulman.
No matter the musical landscape Charlies wanderings
happened to take him through, his music was always built on soulful
underpinings. Never was this more evident than in 1966 when Charlies
musical odyssey brought him back to Memphis to record at the Hi labels
Royal Studio, one of the citys most supremely soulful studios. Best
known for Al Green and Ann Peebles, His studio time during Charlies
tenure was shared by Willie Mitchell, Ike and Tina Turner, and O.V.
Wright. Perhaps this explains why his first album for the label, "Sings
the Songs of Hank Williams," is so darned soulful. And if you think it
was soulful, his "R&B Sessions" features the first recorded
version of Isaac Hayes and David Porters soul classic, "When
Something is Wrong With My Baby," and a handful of other soul gems.
Charlie Rich was an r&b soulman.
Okay, so maybe Charlie wasnt a pure bluesman or a
pure soulman. But consider this: didnt all those legendary bluesman
of old have a healthy dose of country licks in their repertoire? |